Organizing K-Pop: Emergence and market making of large Korean entertainment houses, 1980-2010

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dc.contributor.authorShin, Soleeko
dc.contributor.authorKim, Lanuko
dc.date.accessioned2021-06-02T00:30:20Z-
dc.date.available2021-06-02T00:30:20Z-
dc.date.created2021-06-02-
dc.date.issued2013-12-
dc.identifier.citationEast Asia, v.30, no.4, pp.255 - 272-
dc.identifier.issn1096-6838-
dc.identifier.urihttp://hdl.handle.net/10203/285417-
dc.description.abstractThis paper studies the connection between the emergence and market making activities of the large Korean entertainment houses and the global level success of "K-pop," an increasingly popular type of Korean popular music. We review a set of conventional explanations, respectively pointing to cultural factors, government support, and technological development as core factors that led to the global success of K-pop. We find all three explanations unsatisfactory and, alternatively, building on studies of market intermediaries, argue that the roles of three large entertainment houses - SM Entertainment, YG Entertainment, and JYP Entertainment - have been the most crucial in the development and success of K-pop. Through combining data from Korean music charts, newspaper articles, and revenue data, we trace the increasingly systematic musical production strategies of the entertainment houses and the macro-consequences of their organizational activities. © 2013 Springer Science+Business Media Dordrecht.-
dc.languageEnglish-
dc.publisherTransaction Publishers-
dc.titleOrganizing K-Pop: Emergence and market making of large Korean entertainment houses, 1980-2010-
dc.typeArticle-
dc.identifier.scopusid2-s2.0-84893663791-
dc.type.rimsART-
dc.citation.volume30-
dc.citation.issue4-
dc.citation.beginningpage255-
dc.citation.endingpage272-
dc.citation.publicationnameEast Asia-
dc.identifier.doi10.1007/s12140-013-9200-0-
dc.contributor.localauthorKim, Lanu-
dc.contributor.nonIdAuthorShin, Solee-
dc.description.isOpenAccessN-
dc.type.journalArticleReview-
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HSS-Journal Papers(저널논문)
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