Japan's Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring
| DC Field | Value | Language |
|---|---|---|
| dc.contributor.author | Martin, Daniel | ko |
| dc.date.accessioned | 2013-12-06T05:18:09Z | - |
| dc.date.available | 2013-12-06T05:18:09Z | - |
| dc.date.created | 2013-06-05 | - |
| dc.date.created | 2013-06-05 | - |
| dc.date.issued | 2009 | - |
| dc.identifier.citation | CINEMA JOURNAL, v.48, no.3, pp.35 - 51 | - |
| dc.identifier.issn | 0009-7101 | - |
| dc.identifier.uri | http://hdl.handle.net/10203/182927 | - |
| dc.description.abstract | This essay examines the British critical reception of the Japanese horror film Ring. Critics claimed that Ring was representative of a non-graphic, suggestive tradition in horror, and used the film rhetorically to present a sense of difference from teen horror films such as Scream. | - |
| dc.language | English | - |
| dc.publisher | UNIV TEXAS PRESS | - |
| dc.title | Japan's Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring | - |
| dc.type | Article | - |
| dc.identifier.wosid | 000266340600003 | - |
| dc.identifier.scopusid | 2-s2.0-69249218070 | - |
| dc.type.rims | ART | - |
| dc.citation.volume | 48 | - |
| dc.citation.issue | 3 | - |
| dc.citation.beginningpage | 35 | - |
| dc.citation.endingpage | 51 | - |
| dc.citation.publicationname | CINEMA JOURNAL | - |
| dc.contributor.localauthor | Martin, Daniel | - |
| dc.type.journalArticle | Article | - |
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