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Martin, Daniel (다니엘 마틴) F-6185-2013

Department
인문사회과학부
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1

The Americanization of the Hong Kong Kung Fu Hero: Orientalism and Social Class in Marvel Comics’ Iron Fist

Martin, Danielresearcher, JOURNAL OF POPULAR CULTURE, v.51, no.6, pp.1521 - 1539, 2018-12

2

South Korean Animation Today: National Identity and the Appeal to Local Audiences

Martin, Danielresearcher, Journal of Japanese and Korean Cinema, v.10, no.2, pp.92 - 97, 2018-09

3

Subtitles and Audiences: The Translation and Global Circulation of the Films of Akira Kurosawa

Martin, Danielresearcher, JOURNAL OF FILM AND VIDEO, v.69, no.2, pp.20 - 33, 2017

4

The superhero and the cyberpunk: transforming genres in Spider-Man 2099

Martin, Danielresearcher, CONTINUUM-JOURNAL OF MEDIA & CULTURAL STUDIES, v.29, no.3, pp.466 - 478, 2015-05

5

South Korean cinema's postwar pain: Gender and national division in Korean War films from the 1950s to the 2000s

Martin, Danielresearcher, JOURNAL OF KOREAN STUDIES, v.19, no.1, pp.93 - 114, 2014

6

Categorising Korean Cult: The Reputation and Reception of Save the Green Planet!

Martin, Danielresearcher, Asian Cinema, v.22, no.1, pp.138 - 149, 2011-06

7

HOW WONDERFUL DAYS BECAME SKY BLUE: THE TRANSNATIONAL CIRCULATION OF SOUTH KOREAN ANIMATION

Martin, Danielresearcher, ACTA KOREANA, v.14, no.1, pp.137 - 152, 2011-06

8

Another week, another Johnnie To film: the Marketing and Distribution of postcolonial Hong Kong action cinema

Martin, Danielresearcher, Film International, v.7, no.4, pp.30 - 39, 2009-08

9

Japan's Blair Witch: Restraint, Maturity, and Generic Canons in the British Critical Reception of Ring

Martin, Danielresearcher, CINEMA JOURNAL, v.48, no.3, pp.35 - 51, 2009

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